What is a dream? By Freud to Ludacris, it has been an elusive idea, indicating both an escape from reality and also an expression of hidden want. In culture, dream works just like a mirror: It reflects who we are, but in addition, it shapes what we become.
Enjoy it or despise it, American culture's sexual fantasy of this second is Fifty Shades of Grey. Considering that Random House bought the rights to the trilogy in 2012, the series has sold well over 100 million copies worldwide. Trailers for the movie adaptation of the first book have been viewed 250 million times, according to an advertisement aired in early February; it's predicted to gross at least $60 million at the box office in its opening weekend.
And that usually means the Fifty Shades fantasy is about to become all the stronger. Yes, the narrative will probably reach a much bigger crowd, but more importantly, it will be informed in a brand new, visual type. When the movie comes out, the Fifty Colours version of hot, kinky sex will become explicit and precise, no more determined by the imaginations of readers. Early reports state the film shows at least 20 full minutes of gender, though it's just rated R.
The story is fairly easy. Anastasia Steele, a middle-class senior at Washington State University Vancouver, meets Christian Grey, a very handsome, debonair 27-year-old multi-millionaire CEO. They fall in love, tough and fast. Theirs is a love filled with passion and drama, and they end up living the conventional American dream: love, union, and a child. What is not so standard is their gender. Early on in the first book, Ana finds that Christian has a"dark secret": He is obsessed with BDSM--a condensed abbreviation for bondage and discipline, dominance and submission, and sadism and masochism. This is the central tension of the books: Ana enjoys Christian, but she does not want to become his submissive; Christian enjoys Ana, but he is turned on by abusive sex.
As many experienced BDSM professionals highlighted to me, there are healthy, ethical ways to consensually combine sex and pain. All of them need self-knowledge, communication abilities, and emotional maturity to be able to make the sex secure and mutually gratifying. The problem is that Fifty Shades casually associates hot sex with violence, but without any of this context. Sometimes, Ana says yes sex she's uncomfortable with because she's too shy to talk her thoughts, or because she's afraid of shedding Christian; she gives permission when he would like to inflict pain, yet that doesn't prevent her from being hurt.
For more details check out film izle (watch the film).
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Author : Lloyd Kirkland |
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